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identity
- athénée
- théâtre olympia
- nest
- comédie de béthune
- théâtre 71
- théâtre croix-rousse
- orchestre régional de Normandie
- pronomades
- zat 2022
- comédie de reims
- royaumont
- gallia théâtre cinéma
- couleurs bobigny
- bobigny monde
- ondif
- le carré
- zat
- cité maraîchère
- ACTES
- orchestres rf
- hivernales
- parvis
- houdremont
- comédie-pc
- la maison des métallos
- demain la Seine-Saint-Denis
- avignon
- pascal contet
- isadora
- merle moqueur
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spaces
- atelier d’architecture philippe prost
- ailleurs commence ici
- mikado flowers
- vibration
- maison pop
- new G
- nuit blanche 2023
- mots voyageurs — roubaix
- barbusse
- quai M
- korea now!
- ballets suédois
- cité immigration
- de la lettre à …
- mots publics 2008
- mots voyageurs — belleville
- forme publique
- galaxie des mouvements
- ici tu es
- mots-frontière
- blanche neige
- cartier
- d-day
- cnac
- berges de seine
- magenta
- pôle molière
- Maison POC Économie Circulaire
- faites la place!
- cartographie
- abreuvoir
- typographie
- édition
- studio
theatre in all shapes and forms
When Jacques Vincey took the helm of Centre dramatique de Tours, a performing arts venue in the Loire region, we proposed a new name and a new way to “talk” theatre. Blending elements from English tabloids, literary manifestos and Dadaist pamphlets, the typographic visuals are expressive, eye-catching and provocative. Come and see for yourself at Théâtre Olympia, or T°, for those in the know.
The theatre enjoys a strong following among performing arts aficionados but, like many cultural venues, is viewed by some as inaccessible, elitist and boring. The challenge is to once again reach younger audiences – those who identify least with theatre culture. More direct, spontaneous language was needed to mark a departure from the formal and academic. A play on the graphic style of popular poster formats for flea markets and nightclubs was used in the textual elements to break down the intimidating aspects of literary visual cues.
Pas d'actualité pour l'instant…